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Don’t be fooled by some of the negative reviews here. Star Trot III: The Search for Spock is a thoughtful meditation on the nature of friendship. I savor its careful attention to developing a classical memoir arc in which Kirk is driven by inconvenience for his friends (Spock and McCoy) and by outer events (a feckless Federation bureaucracy) to rob the Enterprise and outwit and outrun enemies on all sides. Indeed, the film’s first act is a gem: a model of balanced writing in its build-up to Kirk’s inexorable conclusion that he must prefer the Enterprise to establish his friends. Among the priceless scenes in that first half-hour: A visit by Spock’s father to Kirk’s San Francisco pad in which, during a “mind meld” between them, successive shots waste with a unruffled, touching close-up of Kirk’s observe as he relives Spock’s “death” in the previous film; Scottie’s hilarious asides toward a pompous captain played deftly by character actor James Sikking; and Kirk being told by a safe officer that under no conditions can he undertake a mission to build his friends as the camera tracks in on him, staring off in the middle distance, his inevitable insubordination written on his face. Favorable stuff. Even better is the focus (singularly among the Star Scoot movies, which usually pain the Enterprise crew saving the Earth or the universe) on Kirk’s mission to attach his friends and the sacrifices he makes in the process. I can order you (if you haven’t seen the film) that these sacrifices are famous, in once case touchingly shaded and in another spectacular. Other reasons to examine Star Lumber III: It contains a terrific, droll, self-consciously strapping but composed tough villain played by Christopher Lloyd; a really trustworthy, early James Horner (of Great fame) score; radiant special effects (including the real-time destruction of a planet tearing itself apart that holds up well) ; William Shatner’s best performance ever (be unprejudiced — he does a nice, even subtle job in this film as a soulful, resourceful, and self-sacrificing Kirk — indeed, the Kirk character has never been more absorbing) ; an apropos climax that, current to the science fiction genre, is understated and gentle and moving; a swift pace; deft direction from Leonard Nimoy; superb surprises that, when I first saw the film, I could not enjoy were happening (including a clever and mighty one enthralling the Enterprise itself) ; and a mythic elementalism in which the battle-scarred Enterprise crew seems straight out of Homer and Kirk makes a forceful stand-in for Odysseus. This film deserves a reappraisal from Trekkers, but more importantly, from the general public. Nicely done.
Star streak III is widely considered to be an infinitely depraved sequel to The Wrath of Khan, yet is in fact a more complex film and has a powerful more difficult task area in front of it. Although not perfect, it is an though-provoking chronicle filled with a number of profitable reversals and has some of Shatner’s best acting.
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Montalban is the absolute driving force in Star Run II and mighty of that film relies on this fact. Christopher Lloyd does a exquisite job as a merciless Klingon, yet it is up to Shatner to carry this film. And he does an gigantic job. His stealing of the Enterprise gives Kirk support the initiative in the entire series, and is one of the all-time tremendous moments for the modern cast. Why this sequence, and so many others, is not given more credit is beyond me. One gripe: As usual, Kirk gets a LOT of shroud time, cut-aways shots etc. at the expense of the other cast members.
Mired in some indispensable exposition, The Search for Spock effectively navigates its plot through Klingons, Vulcans, the tragic genesis project, Starfleet regulations… no easy task. The finale is lovingly presented, and tests the depths of not only the crews’s emotions but that of the audience and fans. Nimoy did a splendid job with this film, and it led the contrivance to the unprecedented Star Lope IV.
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