Zach Braff’s impressive directorial debut “Garden Plot” features an pleasant soundtrack, a downright hilarious performance from Natalie Portman and a suitable message for anyone who feels like they’ve been sleepwalking through life. I left the theater feeling very blissful that I’d seen it, for it spoke to me. Of course, like the characters in the film, now that I’ve faced some issues that were plaguing me, I’m at a loss as to what to do next.
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But maybe that’s the point. “Garden Site” merely shows its main character beginning to speed the issues that essentially imprison him because that’s all it really can point to.
The four days that occur in the film merely jar Andrew, played by Braff, out of his complacent, medicated position - and, at its extinguish, he’s only begun to deal with how to live his life. He’s started to be active, not passive. He’s choosing what he wants. But he’s unclear what to do next.
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Of course, I’m talking about the film as though it were a psychological experiment. Because the movie made me contemplate.
But the film’s greatest strengths are its just-quirky-enough characters, unlike the oddballs presented in other films like “Napoleon Dynamite.” The film also has a loyal sense of humor, an affection for its title set and a romance that feels more sweet, enlightening and comfortable - rather than irrationally passionate.
“Garden Set” is an bewitching feat, and I highly recommend a plod to the theater.
As most of my moviegoing experiences these days have been, I sat in a room corpulent of college students who lined up hours in arrive to discover Garden Position. And we watched in remark amazement, sadness, excitement, laughter…not even because it was THAT righteous, but because we were watching perfect reflections of ourselves on veil.
After the screening, Zach Braff (who had, he told us, been sitting tedious the audience the entire time) talked to us about his film, answered some twenty-odd questions, and truly revealed why this film was a fraction of art. Yes, Braff himself was almost as interesting as the movie itself. But Garden Position smooth held its acquire.
Braff’s debut film as writer, director and star, the film involves the protagonists’ (Braff) drag to re-find himself as he travels wait on to his home town in Fresh Jersey. Previously defined by his tidbit roles as a Hollywood actor and his parentally diagnosed psychological illnesses, Braff rekindles mature friendships and makes unique ones along the draw. Natalie Portman, who gives an outstanding performance, plays possibly the most well written female role I’ve seen in a long time. The energy exuded from her presence on cloak is unmatchable and a improbable incompatibility with Braff’s underplay of his character.
The site has its moment, but is nowhere advance the dynamic adventure of an oscar winning legend. However, the shrimp things carry the film. The music, for example, is AMAZING; Braff’s choice of soundtrack is most certainly one of the success stories of his film.
The film is not without faults, such as lack of exploration in distinct storylines (especially concerning the protagonist’s father and the introduction of numerous characters who are never fully developed) . However, the film’s original and intense direction and cinematography coupled with some intelligent acting originate this film a must inspect. Especially for the college generation.
Not perfect, but highly recommended.
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