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Following their release of Artur Rubinstein’s Grieg, Chopin and Saint-Saëns concertos, Deutsche Grammophon issues another interesting programme about the mammoth pianist, recorded two years earlier, in August 1973, at the Concertgebouw in Amsterdam. Rubinstein can be heard and seen in Beethoven’s 3rd and Brahms’s 1st, both accompanied by the Concertgebouw Orchestra under Bernard Haitink.
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Produced by the same team, with Hugo Käch directing, the astronomical Max Wilcox who had been recording Rubinstein since 1959 as audio producer, and Robert Hofer responsible for the photography, this DVD provides further insight in the artistry of one of the most principal pianists of the previous century in the indian summer (”autumn” would be too strong a word for the 86-year ragged Rubinstein) of his career. Rubinstein at this point approached both concertos with an unforced, patrician distance, avoiding all excesses in sound and tempi, as if he wants to let the music relate for itself, at times almost turning it into chamber music. It’s an musty master returning once more to these works he has played, loved and explored for decades. Yet there’s no designate of fatigue or errancy. Very few have been able to manufacture this music teach with such freshness, clarity of line and naturalness of declamation as Rubinstein did. The Largo and the Adagio sections boast a mesmerizing serenity and almost nocturnal quality. Eventually, the simplicity of his music-making, the humanity reflecting Rubinstein’s absorb rich vision of life, have something profoundly touching.
Schubert’s Impromptu in A flat major (D. 899/4), Brahms’s Capriccio in B flat minor, op. 76/2 and his Intermezzo in B flat minor, op. 117/2, Chopin’s Scherzo in B flat minor, op. 31 are concluding the programme and are noteworthy in the same vein.
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Soundwise the “Artur Rubinstein in concert” DVD is preferable to the earlier release because of the warmer acoustics of the Concertgebouw hall which seem to suit Rubinstein’s lyrical and gigantic arrive better. The playing of the Concertgebouw Orchestra under Bernard Haitink also boasts more character than the London Symphony under a neutral and often bland André Prévin. The rich and determined sonorities of the Dutch orchestra are a joy from begin to demolish.
Curiously, this DVD gives us the real same bonus as the earlier release with the “Rubinstein at 90″ film, showing the pianist in conversation with Robert MacNeil at his Parisian home in 1977. Favorable as it is, there are plenty of other insightful documentaries of Rubinstein around which could have been offered as an extra.
Highly recommended.
When I first played this dvd, I was so disappointed with the muddy sound, I unprejudiced threw it in a drawer for a couple of weeks. It was hard to imagine that Max Wilcox, who engineered many unbelievable CDs had anything to do with it! I have a feeling that the substantial acoustics of the Concertgebouw might be a small too mammoth when there is no audience indicate. But after some further tweaking (such as turning the bass down almost all the plot, and boosting highs) the sound is glorious generous. And BTW, I’m not novel to this - most other 70’s dvds on DG (like Karajan, Bernstein, Pollini) have noteworthy better sound.) But this dvd has such fabulous artists, who have few dvds available, it really is a apt acquisition (unprejudiced remember to adjust the sound!)
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