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I consider I’ve seen unprejudiced about every episode of Dusky Shadows when they showed it on the Sci-fi Channel, and this particular bunch is my current. The characters seem so completely at home in the year 1795; Almost moreso than they do in the indicate day. Being location in the past is the perfect compliment to the whole gothic atmosphere of the series. These episodes also location up the basis of the cherish / disfavor relationship between Barnabus and Angelique, as well as featuring the character we all like to disapprove, Reverand Trask. You really need to peruse these episodes to completely understand the motivation of Barnabus in all the others episodes. The whole series is as mighty about Barnabus as it is about anything or anyone else, and this is where his chronicle begins.
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Another trim thing is the accuracy of the historic setting. The man of the house is the master - no one dare unfriendly him. This takes the viewer very convincingly into a different era. And the witch hunt concerning Victoria Winters is emotionally compelling as well. Even such details as spelling the word jail as “gaol”, as it is spelled in Britain and would have been spelled in Maine in 1795, is correctly portrayed.
All in all, Sad Shadows always managed to choose me completely away from my acquire life, depositing me within its spot and setting, surrounding me with its characters, and providing a astonishing hurry from reality.
When the now-classic daytime soap opera Black SHADOWS introduced the 175-year-old vampire Barnabas Collins (Shakespearean actor Jonathan Frid), the opinion was to whisper a closed-ended sage, site entirely in the show day. The events of 1795 that made Barnabas a vampire and took away his accurate adore Josette were to attend only as a attend epic. But Barnabas’s popularity changed the understanding. He was spared the hammer-and-stake treatment, viewers were transported to 1795, and that aid anecdote became the main region.
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This entire installment is region in 1795, where the witch Angelique (Lara Parker) is sure to remove Barnabas from Josette, and has no compunction about destroying the entire Collins family to do so. Eventually, their confrontation reaches a crises in which Angelique turns Barnabas into the vampire we met intention help in episode #210 (status 1) .
To be radiant to Angelique, you could argue that Barnabas had his fun with her, then dumped for the high-class woman. But you could counter-argue that Angelique is (and so perhaps always was) motivated at least partly by status-consciousness. In #373, she’s trying on Josette’s hat. In #374, she’s using (then zapping) Josette’s rose water. In #410, she’s arguing with Joshua Collins (Barnabas’s father) over her upright and financial rights as Barnabas’s widow, even as she’s rushing to prevent Barnabas returning as a vampire.
To the extent that Angelique is motivated by treasure, it’s ironic that she understands one vital truth while missing the bigger truth. She understands that hexing Barnabas to manufacture him savor her would collect her nothing, because his worship would be synthetic. The bigger truth she misses is that you can’t force anyone to like you by any type of coercion or manipulation.
Note that events are inconsistent with the accounts we’ve gotten from the present-day Barnabas, particularly in #345 (location 4) . I’m told this is because Anthony George left the exhibit, forcing a reworking of the storyline.
AG’s departure also also meant recasting the ghost of Jeremiah Collins — body by Timothy Gordon, advise by Addison Powell. This leads me to say that I’m not joyful with Jeremiah’s ghost being dropped from the account with no resolution. (He’ll turn up again briefly in the 1897 storyline to give Kitty Soames a excellent terror.)
A secondary storyline involves Victoria Winters, the vehicle for the hobble encourage to 1795. In #365 (position 4), Vicki participated in a seance that sent her encourage in time, and the viewers followed her. Vicki’s mysterious arrival and seeming ability to predict the future convince several members of the 1795 Collins family that she’s a witch — responsible for all of Angelique’s machinations. Enter Reverend Trask (Jerry Lacy), a self-ordained, fanatical witch hunter from Salem. Eventually, Trask gets Vicki arrested — with Angelique’s clandestine assistance.
Vicki’s response to Trask is foolish, but understandable — up to a point. In #385, Vicki SHOULD play along and pretend to be exorcised. However, someone from the explain might not realize they engage this witchcraft stuff SERIOUSLY in 1795. When Trask ties Vicki to the tree, though, I would assume she should discover that he means business and perhaps say, “If I discontinue tied to this tree all night and it DOESN’T die, that proves I’m innocent, correct? ”
The irony is that Trask is legal about a witch at Collinwood, but misses the actual witch because, in #387, Angelique is shrewd enough to play the game Vicki wouldn’t play.
Trask is probably offensive to a lot of Christians and being one myself, I understand, because he’s the sort of character that gives Christians a poor name. However, we’re intended to behold Trask as a dreadful excuse for a Christian. Forbes vehemently denounces Trask in #385. In fact, Trask illustrates a point of Christian morality. He fails because of a flaw in his character that a just man of God dare not indulge — egotism. He comes very conclude to catching Angelique, but she escapes because she licks his boots. Later, when his exorcism rite succeeds so perfectly, it never occurs to him that anybody but himself was responsible.
This leads me to mention the bonus interview with Jerry Lacy on Disk 3, in which Lacy opines that the 1795 Trask was the “purest” of the three Trasks he played in the course of DS — the one driven by idealism rather than any overtly criminal motive.
Another involving bonus interview is the one with composer Robert Cobert on Disk 4, in which Cobert talks about how he presented the DS theme to series creator Dan Curtis by whistling it for him.
In the other two bonus interviews, Jonathan Frid describes how he got the allotment of Barnabas by more or less dreary luck, and Kathryn Leigh Scott mentions her reservations about “going supernatural.”
Other points of interest:
Victoria’s reaction Ben in #372 probably puzzled 1967 viewers who hadn’t seen the pre-Barnabas episodes, and so didn’t know who Matthew was. Fortunately, we have those episodes (1) along with the synopsis in state 1.
I liked Naomi’s statement to Abigail in #382 that “If the devil has blinded me, I reflect it inviting that he lets you in on all his plans.”
#386 contains both a reference to the Revolutionary War and Barnabas’s “Innocent until proven innocent” blooper.
In #374, Josette’s portrait shouldn’t be in Josette’s room. It doesn’t officially reach until #402.
#400 includes the technical blooper in which Angelique’s house of cards burns up too soon and she’s left shouting “Burn! Burn!” over a pile of ashes. It’s definite if you’re looking for it, but maybe not if you’re wrapped up in the legend, especially if you don’t know what was supposed to happen.
The word “vampire” is venerable for the first time in #410.
In the next installment, we’ll sight that becoming a vampire was only the beginning of that curse …
(1) At the time of this writing, only on VHS, but I understand they’ll be released on DVD.
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